STAMP SCRAP STAMP

BACKGROUND STAMP

I'm a huge fan of Darkroom Door stamps - the only downside is that they have to be cut apart.  I haven't actually managed to wreck any yet but the possibility is always in the back of my mind.

Every downside, though, has an upside and all the little leftover bits of rubber will cling to an acrylic block to make a great background stamp.  I dismantled this one before it occurred to me that if I'd stamped it in brown on golden yellow it would be a great "giraffe" fur background....oh well, I can always do it again.

I guess if you were very keen you could cut the little bits of rubber into brick shapes or "stones" but I kind of like the random nature of just using them "as is" (or perhaps I'm just a very lazy person?)

RAINBOW VELLUM AND SILHOUETTE STAMPS

BLACK INK AND RAINBOW VELLUM

I know its a bit of a cheat calling this a "technique", but it is worth knowing how effective silhouette stamps (this is a lovely example from Darkroom Door) look on rainbow vellum!!

Just be sure to leave plenty of time for the ink to dry as it will take longer than normal paper.  I used Memento, a dye-based ink for this example.  Staz-On would work well as it would dry more or less straight away, but I'd probably steer away from the thicker pigment inks.

Another word of warning......(or do as I say not as I do).....If you look at the base of the left hand side of the windmill you will see a small boomerang mark.  This is not a part of the design but where I left a mark with my fingernail that could not be stamped over. Vellum is very sensitive to pressure so handle with card!

GLITTER IN LAYERED DIMENSIONAL MAGIC

GLITTERED LAYERS

This week I do have something original. (Well...I'm sure other people have thought of it but I haven't seen it elsewhere!)

I really do need to sort out my approach to taking photos for the blog because I seem to be saying almost every week (or at least every time the photo features something shiny) that it looks better in reality.

What I've done is start with a gloss "flame" shape, then added a thin layer of Dimensional Magic, which I sprinkled with coarse red glitter.  When it was thoroughly dry (overnight), I added a second thin layer which I sprinkled with fine gold glitter, onnce again leaving it overnight to dry.  Lastly I added a final layer of DM.

The result was a "flame" that almost appears to have movement as you look at it from different angles and which really shines and sparkles.  I would like to experiment a lot more with this technique, using different glitters and shapes, perhaps with patterned papers too.

A few words of warning.....if you don't wait for each layer to dry thoroughly the DM will tend to collapse into a hollow in the middle.  If you use too thin a background layer, it will tend to curl as the liquid DM soaks in.  If you try to flatten it the DM will crack.  (Its not the end of the world, you can always rub a bit of ink over and call it "vintage" but it won't be the smooth domed result you envisaged).  Gloss card will help stop this too.

IRIS FOLDING SCENERY (FROM MICHELLE POWELL'S BOOK)

FOLDED PAPER SCENERY

I really do wish that I could claim that this was an original idea, but it isn't.....its been taken almost directly from Michelle Powell's book on Iris Folding (called, funnily enough, "Iris Folding"!).  If, like me, you love the idea of choosing lots of colours and playing with layers and folds, you'll love this book.  It does contain some traditional patterns but also some really great ideas that can be used in more creative ways......And yes, having had such fun doing this little example, I do plan to try something more original!!!!

TAPE "FLAGS"

BUNTING WITH DOUBLE SIDED TAPE

This probably isn't the best example in the world but its good enough to give you the idea. (The "string" and star are stickers).  It would look much prettier with a whole row of multicolour flags and a piece of baker's twine.

This is a super easy way to make flag bunting.  Just angle up the ends of double sided tape and place two pieces side by site with the lower edges on the outside.  Next sprinkle with  fine glitter, rub in well and........there you are.....
sparkly bunting!!

FEATHER COLOURED WITH GLIMMER MIST

BLUE GLIMMER MIST FEATHER

Can you colour white feathers with Glimmer Mist?  Yes, you can!!  I know this is not paper, but colouring card, paper flowers, cotton ribbons and things such as feathers with an ink spray is one way to make sure everything co ordinates beautifully for a variety of paper-based projects.

It does make the sides clump together a tad, but if you don't like this look I think it could be teased back into shape.

Outline Stickers with Dimensional Magic

DM+Stickers+Pens

I am beginning to like the idea of using alcohol makers (Kaiser pens) under Dimensional Magic.  The beauty of using outline stickers as a base is that the outline forms a little wall that stops the Dimensional Magic from "escaping" as easily as it otherwise might.

In this example I've coloured the large purple flower petals and leaves and just the centres of the smaller yellow flowers.  As has often been the case, the effect, although still on the subtle side, is more apparent in reality than on screen.

I'm kind of coming around to liking outline stickers again too!!!!

STAMPING ON A CANDLE

This is a long-term Gunnadoo that I have finally actually done!!!  For years I've been reading about stamping onto candles but never quite got around to trying it out .  Basically you stamp onto white tissue paper, then apply it to a candle by holding it in place and heating gently with a craft heat gun (whilst avoiding third degree burns to the fingers) until it fuses with the candle. 

This illustrates why the Papertrek blog is good for me - having decided to do a different thing every week means raiding the dark recesses of the brain for new/old ideas, and not just repeating the same old same old.  (Having said that, even after doing the blog for over two years now, I still haven't quite mastered putting the photos where I want them to be on the page, so apologies for the layout - I must add learning to do this properly to my "Gunnadoo" list!!).

Anyway....back to craft.......Before trying this technique I suspected that the end result would look like a candle with a dodgy piece of stamped tissue paper stuck to it.  The good news is that I was wrong.  Even although I used a piece of tissue paper that came inside the box with my latest pair of shoes, and some very cheap dye ink, the results were great - you couldn't really see the tissue at all, and the image was soft but distinct.

CLOSE-UP OF STAMPED TISSUE PAPER ON CANDLE

This was the point when I became overconfident and tried a huge red stamped rose on a big blue candle......well, the colours worked OK.  I thought the ink might be translucent and that I would end up with a purple rose, but that didn't happen.  Even the white tissue blended OK with the blue candle.  What did happen was that with my handheld craft heat gun I was unable to apply an even amount of heat all over the paper so that some pieces failed to blend in with the candles and others sank in.  Also where the wax was overheated and slightly melted its colour changed to a lighter blue.  As you can see from the photo, the result was "ordinary" to put it mildly.

 

WHAT NOT TO DO

STAMPED CANDLE

I guess what I've learned is that small motifs on white candles are easiest to apply, and that if you were, say, intending to do 50 large candles for wedding tables, I'd buy a few more than needed, spend some time practising, and have a few spares as well!!

I haven't burnt the candle to see whether or not there are any implications when the level of the paper is reached.  I don't anticipate any dramas but wouldn't leave them unattended until I definitely knew the paper wasn't going to burn!!!  (Another little something to try before you use them at a social occasion!).

CROCHET FLOWER GREETING CARD

CROCHET FLOWERS

There are so many sources of crochet flower patterns at the moment.  I bought myself a book by Claire Crompton that has lots but there are any number of free patterns available on the web, and once you get started its not all that hard to just make it up as you go.  The first picture is a mix of all three origins.

I find crochet really relaxing, and have any number of bags and purses to prove it.  Flowers are fun because you get the reward of having finished something quickly.  Then, of course, you are left with bags of flowers, and good intentions of finding something to do with them.

As this is the Papertrek blog, here's one thing to do with surplus crochet flowers - combine them with an embossed and sanded piece of Core'dinations Whitewash, pop them on a card blank and give them away to the next person you know who has a birthday!!!!

CROCHET FLOWER CARD

SNOWTEX AND GLITTER

DIECUT STENCIL+SNOWTEX+GLITTER

I was cutting out snowflakes with a die from Couture Creations and thought I'd use one of the cut out backgrounds as a stencil for Snowtex.   I was pleasantly surprised with how well it worked as this has quite fine detail, and I was expecting it to smear under the edges.  Snowtex is a very thick white texture paste.  Whilst it was still wet I added loads of fine glitter, which (despite some reservations on my part as to whether or not it would be the case) stayed put once the Snowtex was dry.  The result is a rough dimensional glittery motif, that I rather like.  (It looks better in reality - the photo doesn't do justice to the sparkle).

STAMPING ON CORK

STAMP WITH COLOURED PENCILS ON CORK

There's a simple example of a simple idea this week.  Stamps will (with the correct ink) stamp an image onto any number of different surfaces.   Cork works well with most inks - I've just used Versafine sepia on a stamp from Rubbadubbadoo in this example, and coloured it in with pencils (nothing fancy, just some of the kids cast-offs).

The very thin cork I've used here tends to be a bit crumbly so I've punched slightly larger holes than I would normally make for the split pins.  Tearing the edges proved quite hard to control, so I had to resort to a ruler on the outer boundary to make sure it didn't tear too far.

I have written myself a mental note to try some other colouring media on cork to see how that turns out.

MAGIC CLAY IN SILICONE MOLDS

MAGIC CLAY IN SILICONE MOLDS

I found my air dry Magic (paper) clay the other day.  Truthfully, it wasn't exactly lost, just put aside for 3 or 4 years....I don't really know why, as  I went through a phase of stamping into it and making topper buttons for cards with quite pleasing results..."been there done that syndrome" perhaps? Anyway, when I saw these Martha Stewart molds, I thought it was time to get the clay out again.
Unfortunately the years of neglect meant that the clay was a bit dried out.  Surprisingly as long as there was some moisture left, it still seemed to work OK, but clearly needed using up ASAP......hence all these little card-sized bits and pieces - great results for little effort.  Just push the clay into the silicone mold, then carefully remove it and leave overnight to dry.

WAXED PAPER DIE-CUT BACKGROUND

WAXED DIE-CUT BACKGROUND

Making the scrumpled waxed paper background the other week, made me think....

I've been using waxed lunchwrap with my doiley dies because it reduces the amount of paper left in the die, but this means that I'm left with a lot of waxed paper die-cut doileys.... I have actually used a few on some of my cards but mostly they end up in the bin.

This time I ironed the cut-out, waxed side down onto plain coloured card.  The result was a clear (clearer than this photo would suggest) albeit subtle impression.  The die-cut doiley still ended up in the bin, but at least I got a second use from it.

Remember to use a fairly cool iron on a dry setting.

PAPER BEADS

PAPER BEADS

CLOSE UP

I made these a little while ago and have in fact worn them to work a couple of times (after all if you can't wear paper beads in a craft shop where can you wear them? )

One sheet of 12 x 12 paper will be enough to make all of these grey beads, as long as you end each in a point which becomes the edge of the wide end of the next bead.

I've just used a glue stick to add a bit of body as I wound them up and then coated the finished beads with Mod Podge to glue them properly and provide a protective finish.

After a bit of experimenting, the easiest way to do this seems to be to wind the elongated diamond shaped pieces of paper around a bamboo skewer  (you can make several on the one skewer).  After that if you rest the ends of the skewers across a shoe box or plastic container, you can brush the sealer over all the beads at once, and they will turn as you brush so all sides are done at once, and you can just leave them in place to dry.

For this necklace I've used white shell beads as a spacers.  I think the extra weight helps it hang better.

WOODEN BOX WITH PAPER FEATURES

AUTUMN LEAF BOX

Marvin has been making some more boxes.  This one has a patterned paper (Autumn leaves) inset on the top, which was varnished afterwards.  A hole was made in the side of the box with a Forstener drill bit and the same paper was glued underneath a glass cabochon as a feature.
My contribution (and hence why I include it on my blog even if it is cheating a bit....well a lot) was to line the box with suede paper.
To my mind paper and wood are natural companions so I'll be exploring the combination more this year.