Saturday, 12 August 2017

COLOURING WITH EMBOSSING POWDERS

COLOURING WITH EMBOSSING POWDERS
I don't think that I'll do much of this as I was a bit underwhelmed with the result, however this might just be a function of lack of practice so I probably should give it a few more tries before I give up.

I stamped and embossed the fish with black powder, then used a versamark pen to colour in the silver bits of the fish, then the copper, gold and white in turn, heating between each addition, and finally covered the brown background with clear embossing powder.

You can see on the back that the silver powder is "overcooked" and patchy, whilst he white powder has "escaped" its borders, spreading more that the copper and gold which, if anything, seemed to shrink when heated.

If I try this technique again, I think I'll try just heating the powders until they are stuck in place until the final layer to try to avoid the overheating issue, and I might also choose a design that's larger so that I can space out  the embossed areas a bit between heating,  A sensible person would also do a little trial to determine the properties of each of the different embossing powders before throwing them onto the main project!

Still....it kind of looks OK, and is quite nicely raised and textured (even if the latter is not quite in the "supposed to be" category) so I've probably talked myself into trying again during the course of writing this entry!

Saturday, 15 July 2017

GOLD EMBOSSED IMAGE COLOURED WITH TOMBOW PENS

EMBOSSED AND COLOURED IMAGE
Back in the day.............and I'm talking 20+ years ago, this is how we did our stamping for greeting cards.

Emboss the outline with gold and reach for the marker pens!

It still looks nice, and is ironically less "old hat" today than it was five years ago.

I've used Tombows and a blender pen for the colouring, and cut the lovely design (from Paper Roses) in half to fit over the aperture, mounting the top on some foam tape to add dimension.

A final "retro" touch is the gold outline sticker that I've carefully stretched around the edge of the oval cut out..  This is a little reminder to myself that no matter how exciting new techniques are sometimes the "oldies but goodies"are worth dusting off too.


Tuesday, 4 July 2017

GLITTER "STAINED GLASS" TECHNIQUE

COLOURED GLITTER PICTURE IN PROGRESS
This is an easy technique but a very effective one,

Just chose a die with a lot of open spaced suitable for colouring.  I cut this Art Deco parrot with double sided adhesive on black card so all I had to do was peel off the backing
to stick it onto Kaiser crystal glitter card.

The next step is to use some Tombow pens to colour the image.  (You can experiment with different types of pens but I was happy with these).

The glitter stays glittery and the end result is a cheery "stained glass" effect,
GLITTER "STAINED GLASS"

Saturday, 17 June 2017

USING LAYER MASKS IN STAMPING

LAYER MASKED STAMPING
This shows the traditional way to "layer" stamping.  It was one of those things that people probably don't do so much today, but in past times it was one of those basic techniques.

On the off chance you haven't come across it yet........

Decide which stamp you want to appear in the front,(in this case top hat man) stamp it on a piece of paper (you could use a post it note - the removable adhesive will help hold it in place in the next step).

Cut out the image.  You might like to cut around the edge leaving a little border as I have done (this certainly make the cutting easier around highly detailed edges), or you might prefer to cut more precisely around the outline.  Experiment to see what suits you best.  Repeat with all the images except for the very back one.  In this case I've only used three pictures so I only need to stamp and cut around the compass image.

Stamp the front image where you want it to appear, then mask (cover) it with the cut out image.  Stamp the next image in place, and over the edge of the mask.  Remove the mask and repeat with the next and any other layers.  Keep the masks with your stamps so you don't have to cut another every time you need one.

These stamps were foam mounted cling rubber so I could position them accurately enough for this project.  Clear stamps are a lot easier.  You might need to use a stamp positioner for block mounted stamps if you are doing a more involved project

I've just used a single colour and three basic stamps but you can get really impressive effects, especially with landscapes by adding more colours and layers.

Friday, 12 May 2017

EASY LAYERED STAMPING USING VELLUM

EASY LAYERED STAMPING
Here's an easy way to get a layered look without mucking around with masking or resist techniques.

It just involves stamping on the base layer then adding a vellum (parchment paper) sleeve over the top, with stamping on both sides.  When assembled there is a real sense of depth.

I've used black Staz-on (a lot of inks don't dry very well on vellum) so there is a real dark to light effect.

I've just stuck to one colour and one stamp but you could obviously experiment with combinations. I do intend to get around to doing this - I'm thinking maybe words in one layer, small stamps at the front and a background stamp on the base

For the base layer of this example I've used a textured white card, the vellum has been folded around it and secured with twine tied through two holes (made with a darning needle), centred on the fold.

Friday, 14 April 2017

MAKE A BORDER WITH SMALL STAMPS

A BORDER OF SMALL STAMPS
Here's another idea for your small stamps - combine them to make a border.

I guess the technique is pretty self-evident, but there are a couple of things that might be worth mentioning from my experience.

The first is that drawing a light pencil shape that can be erased later, is very helpful.  The second is that it might take a couple of goes (by couple I mean about five) to get the colour and shape combo working to your satisfaction so playing around a bit on paper or a piece of cardboard to be later mounted onto a base card is a good idea.  Better still, photograph the result and file it away or put it on your blog to save you some time in the future!

Another point worth mentioning is how much colour "colours" how we see things.  I showed someone this and they immediately thought "Christmas Card" which wasn't my intention, but it does work for those who like a neutral seasonal greeting.

You don't have to use flowers and leaves of course, a border of  the little men I used in last month's post would work well for father's day for instance, and you could carve your own easter egg stamps from erasers etc etc etc

Sunday, 12 March 2017

SMALL STAMPS AS A BACKGROUND

SMALL STAMPS AS A BACKGROUND
Its been a while since I've posted - no bad reason, just busy with other things, but I will do my best to put up something new at least once a month for the rest of the year!

I seem to have accumulated a lot of little stamps.  Often they come as part of a larger set.  I often add one to the back of a card, but thought it was about time to get them out of the cupboard and see what else I could do with them.

Making backgrounds is one idea.  These little chaps were part of a Kaiser set, and using different coloured ink for each design I've just more or less randomly stamped them over the front of the card, overstamping some of the edges.

 I used an oval cut-out to mask an area towards the top of the card to leave a clear space for a couple of larger stamps.  The result is slightly dodgy as I deliberately wanted a handmade look (honestly this time, although often I "achieve" this when I don't want to).  If you want a cleaner look, draw in some guidelines lightly with pencil to make sure the mask and stamps within it are straight and centred, and be sure to press very lightly and not overink your stamps to stop unwanted edge lines (which are harder to avoid with little stamps).

I made this card as an example rather than one I intend to give to anyone, but like it enough to want to play around a bit more with the technique