SHADOW STAMPING WITH ACRYLIC STAMPS

REVERSE STAMP BACKGROUND

Oh dear, this is not an original idea but I can't remember where I heard/saw it.....I'm happy to add an attribution if anyone could suggest the source.

Anyway its a simple but fabulous idea - just use a tiny bit of double sided tape to stick your acrylic stamp upside down on your stamping block, and then use it as a "shadow" for underneath the image.  In this example I used silver underneath and crimson on top.  You'll have to take my word for it that it looks better in reality.

(I probably shouldn't mention that a little lick and stick is a speedier way than double sided tape to stick the stamp onto the block for the first step.)

COLOURED PENCILS ON WOOD

COLOURING STAMPS ON WOOD.

O.K so last week I worked out that Versafine stamps well on wood.  The next issue is deciding how to colour it.  The images were stamped onto a piece of sticky-backed cherry wood.

I did some little samples first.  (Bottom right corner) Alcohol based markers bled very badly into the wood.
Water based markers were OK but a bit overly bright for what I had in mind.  I finally settled on pencils, and was pleased with the results.

I was interested in the top example as I think with a bit more thought you could get a nice faux intarsia effect.

STAMPING ON WOOD WITH VERSAFINE

WOODEN SHAPES WITH VERSAFINE STAMPING

Most articles reccomend using Staz-on when stamping on wood, but as I wanted to use an non-water based varnish on another project, I was interested to see if a water clean-up ink would do the job.  (A solvent based varnish makes Staz-On bleed and blur).

I'm pleased to report that Verafine does the trick beautifully with only the tiniest amount of bleed, even although the text on the stamp I used is tiny and very finely detailed.

Its hard to see the size of these wooden shapes from the drawing, but the clock is about 2.5cm wide (i.e. they are little).

Right now for the next project............

DOUBLE STAMPING

DOUBLE STAMPING

This is a bit like kiss stamping, but instead of removing colour you add it by using an inked background stamp to stamp onto another fairly solid stamp inked with a contrasting colour.  You then stamp with the latter so that the outline of the solid stamp is filled with the pattern of the background stamp.

I was happy with how well the black pattern showed up on the pink ink, although I think I'd use other colours if I intended doing anything other than playing with this technique.  I'll be playing with it a lot more though, as it has lots of possibilities, especially if you make your own "solid" stamps from fun foam and die-cuts.

NAIL POLISH MARBLING

NAIL POLISH MARBLING

R. Maria Sabina wrote an article for Craft Stamping magazine outlining this technique and I couldn't wait to try it!  Basically you just drop some nailpolish on top of water, swirl it with a toothpick and print off the result.

As with most things it wasn't quite as easy as this.  The author did address most of the issues I had but of course I read the article properly after
the issues arose.  So, for fellow skim-readers here's a few tips.

Firstly unless you have a very warm room, use lukewarm water - most of the nailpolishes I used just sank in little drops to the bottom - something I ascribed to the brand (which did make a difference) but was probably a temperature issue.

Secondly, as mentioned, all the polishes I used were of the cheap and chips variety (no more that $2.50 per bottle) but there was a lot of variation between brands - some just sank, others created a "skin" on the top of the water, and a couple of the brands seemed to interact with each other to make a sort of lumpy mess.  In other words - buy one bottle of a single brand and do a test run before you get carried away.

Thirdly gloss card has bolder results than matt but the latter still gave a nice albeit more subtle result.

And lastly......wear rubber gloves, or you'll be typing up your blog posting with dark green fingers!!!!!

Despite making a bit of a mess of the whole thing, I was. overall, pleased with the results, and might give it a go again soon, having learnt a few lessons from the first attempt.

VASES FOR PAPER FLOWERS

REPURPOSED JARS - TWINE VASES

The papercraft aspect if this project are the flowers in the vase - the lilies that have featured previously, and the little text flowers that were made by stacking up three layers of two sizes of retro flower punched book pages.  The layers are secured with wire threaded through a button and twisted underneath to form stems.

Actually the flowers are a bit of a pretext to share these little vases (made from an empty jam jar and herb container).  I was feeling a bit overly tired and wanted something that involved a minimal amount of brainpower (since I'm not very good at sitting in front of the TV and doing nothing with my hands) and saw these in a craft book from the 1970s - all the go back them, and making a revival now, I think.  Just pick a jar, get some string, and wind, coating the jar with a thin layer of tacky craft glue as you go.  I had some hessian trim in a contrasting colour to add as a feature but this is optional.  If you like to fold paper flowers or want a container for pens and pencils these are ideal - very low cost and even lower brain power required.

CORK STAMPING AS DIGITAL PAPER

I haven't done any digital bits for a while so I thought it was about time.  I keep some examples of things that I really don't like as well as ones that I do (although not as many of them!).  It sometimes helps to try and work out what it is that you don't like, so that you can produce more work that you do.  (If that makes sense).  My start image was this rather horrible concoction of stuck together papers and brown paint stamped on with a cork so.......what don't I like?  Well, for starters the colours are foul, the white panel is too stark and the cork stamping just looks like muddy blodges.  so can it be saved??

I opened up the picture in Elements and started with the colours which just don't work together.  I played around with variations adding lots of blue and green until it looked a bit better.  The cork stamping still looked a bit splodgy and messy to I went into the filters gallery and from the Pixelate section selected and applied "Pointillise" which introduced a little order to the "blodges".  Last of all I just used the elements cookie cutter tool to cut out a butterfly and there you are...!!
Truthfully, I probably won't ever use this background again, but I had fun trying to make it at least semi-presentable!!

ACCORDION FEATURE FOR CARD

TIE WITH A RIBBON

I really like little accordion books, and there's no reason you can't adapt them for cards as well.  This little book ties closed and features Darkroom Door stamps, but the format is handy if you're making a card that lots of people want to sign - just make the book a bit bigger if they want to add their "best wishes" as well.
Just an aside....the feather is a Couture Creations die that I've chopped up a bit to make a bit more "feathery" and I've tied two together with wire - white card on the bottom and  velum on top. I've added just a teeny spray of water to the vellum to make it curl slightly - again, it just gives a little more body to the die cut.

ACCORDION FEATURE FOR CARD

DIE CUT WITH FABRIC

DIE CUT WITH FABRIc

Thin cotton fabric stuck to thick packaging card with double sided Jac paper, then die-cut looks good, and is an alternative to paper or paint/ink.

If you cut with the fabric face down on the die, the edges bend over slightly and you can get away without having to ink the sides.

You might have to experiment to find out which of your dies are up to the task as the ones designed for thin paper won't have enough cutting power.  I haven't tried a doiley die, but suspect the more intricate cutters wouldn't work very well either.  This is a thick Sizzix die, but I expect most of the nesting dies and the old silver Cuttlebug ones would work too.
As long as the stack you use is not too thick for your machine, it won't hurt to experiment!

DISTRESS INK EMBOSSING

DISTRESS INK EMBOSSING

I was going to put this little example in the bin about three times but something stopped me.

It was created by swooshing a few different colours of distress ink, straight from the cubes onto the plastic surface of an embossing folder,( whilst talking to a room full of people, although that bit is optional)  then running it through the Cuttlebug.

Distress inks are very watery . (They are supposed to be), this means that they tend to bead on plastic and smoosh together more than a lot of other inks, when this technique is used.

I kind of like the random nature of the result.  If I was doing it again with a bit more thought I'd choose colours closer on the colour wheel (perhaps yellow-orange-red) and maybe even add a little spray of water to encourage the inks to spread a little bit more.

There's a l lot of potential to play here and, for those who stress about such things, the ink came straight off the embossing folder with a baby wipe!!

EMBOSSING WITH ALUMINIUM FOIL

ALFOIL EMBOSSING

This is a simple technique that just involves wrapping some stiff cardboard (I used packaging) with a two or three layers of aluminium cooking foil, and embossing with your Cuttlebug (or whatever machine you have).

I just secured the foil with a bit of tape at the back but some double-sided Jac would be a more stable way to fix it.

This was a quick snap taken under a fluorescent light but I'm quite taken with the photographic applications of a really shiny embossed surface, as well as its obvious craft uses.  (If you look closely there's a little bit of me in this shot!).

Colour could be added in a variety of ways.....perhaps for future posts????

THE ''PRE-JOURNAL' JOURNAL

PRE-JOURNAL 

PRE-JOURNAL PAGE EXAMPLES

Not exactly a technique this week, but........
Popping photos up on a blog is one way to keep a track of various papercraft techniques but nothing quite beats the real thing......so I've finally started to organize all my little examples by sticking them into a sketch book and adding captions, to remind me what they actually are.

Its not a fabulous art journal.....more a scrapbook in the old-school sense of the word, full of bits and pieces to provide inspiration for when I do get the time to make something fabulous....sort of a pre-journal journal if you like.

Its turning out to be quite a fun activity in itself.  I don't aim to "finish" a page......just stick things here and there until there's no more room left.  No rules, even about which way is up, a great way to pretend all those little scraps of paper that used to live here there and everywhere, were always destined for greater things than the rubbish bin!!!!

ALL SORTS EMBOSSING

ALL-SORTS EMBOSSING

Following on from last week's theme of using what you already have, is this week's example of some of the things you can use to emboss in your Cuttlebug/Bigshot etc.
The possibilities are endless but from the few things I tried, I'd suggest that best results are obtained with low, stiff items such as the mesh, second best with low stretchy things like the rubber bands, and less successfully higher things like the paper clips and coins.  The latter tend to tear the paper.  I used 200g card, but imagine that if you used a softer handmade paper and perhaps made it just a little damp (not wet) you'd probably have less tearing.
To emboss "all sorts" in the Cuttlebug you need a rubber embossing mat, which goes on top of the paper.  The items go underneath.  You'll also need at least one plate (probably your white A plate), if not two (B or C plate) on the very bottom of the stack, and ideally another plate (B) on the top.  Its a matter of juggling the plates (possibly with the addition of cardboard shims) to make the right combo that is thick enough to have the desired embossing effect without endangering your machine in any way.  Cuttlebugs are tough little machines but they will break if you force things through so proceed with caution!!
I've also used white card for these examples actually didn't think this would work anywhere near as well as it did.  As I'm a bit overly busy at the moment I don't have time to repeat using a core colour paper and sanding or even inking over the design, but I think both would enhance the effect. Mind you, this does give me something else to post when I do have more time to play!!

PAPER LEAVES

DIY LEAVES

Now that we have access to all those lovely dies and hole punches its often easy to overlook things that are right in front of us.  This is an example of one thing I did manage to notice.......

The leaf at the top blew in through the door at work.  The leaf at the bottom is some of our packing card with under 5 minutes "work".

I used the real leaf as a template, and cut out the other with scissors (yes...they're still useful).  After scrunching it up a bit, I added some "veins" with a coloured pencil (there was only one brown one in the cupboard so I didn't really chose the shade), then dabbed a bit of distress ink here and there.  A little bit more scrunching added extra shape.

A bit more time, and more careful selection of colours would do wonders!!!  In the meantime I'm waiting for summer so I can acquire a new range of "leaf templates"!!

PARTIAL DIE CUTTING

PARTIAL DIE-CUT

 You might have noticed that I'm having a bit of a Cuttlebug thing happening at the moment.  It is work-related, but even so, I've been discovering and rediscovering lots of techniques that I either haven't tried or had all but forgotten.  The trouble is, Cuttlebugs are just so useful without even trying to do tricky things, its easy just to stick to straightforward die-cutting and embossing.

TAGS FEATURING PARTIAL DIE-CUTTING

This week's technique is simple but I hadn't really played around much with it until recently, and I've added "play more soon" to my "To Do" list.  Dies obviously only cut where the cutting ridge is in contact with the paper/card, so by threading the paper (or in this case a thick tag) through the die, a decorative edge is added using a bracket square die.  I've also done some partial cutting with the little Marianne bird die into the bottom of other tags, and then used the cut-puts as extra decoration.

I'm now starting to look at my dies in a whole new way, when I consider all the different sections that could be used in different ways.